The Clarinet Player's Journal:

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منابع مشابه

How do clarinet players adjust the resonances of their vocal tracts for different playing effects?

In a simple model, the reed of the clarinet is mechanically loaded by the series combination of the acoustical impedances of the instrument itself and of the player's airway. Here we measure the complex impedance spectrum of players' airways using an impedance head adapted to fit inside a clarinet mouthpiece. A direct current shunt with high acoustical resistance allows players to blow normally...

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The Feathered Clarinet Reed

In this research, a method previously applied to improve a digital simulation of the avian syrinx is adapted to the geometry of the clarinet reed. The clarinet model is studied with particular attention to the case when the reed beats again the lay of the mouthpiece, closing off air flow to the bore once each period. In place of the standard reed table which gives steady-state volume flow as a ...

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How players use their vocal tracts in advanced clarinet and saxophone performance

How and when is the player’s vocal tract important in clarinet and saxophone performance? In a simple model, the acoustical impedances of the instrument (a resonator downstream from the reed) and the player’s tract (an upstream resonator) appear in series and in their sum is in parallel with that of the reed. Using impedance heads built into functioning mouthpieces, we made measurements of the ...

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SABRe: The Augmented Bass Clarinet

An augmented bass clarinet is developed in order to extend the performance and composition potential of the instrument. Four groups of sensors are added: key positions, inertial movement, mouth pressure and trigger switches. The instrument communicates wirelessly with a receiver setup which produces an OSC data stream, usable by any application on a host computer. The SABRe projects intention i...

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The One-Filter Keefe Clarinet Tonehole

Two “one-filter” scattering junctions are derived which provide very accurate models of woodwind toneholes in the context of a digital waveguide model. Because toneholes in the clarinet possess only one resonance and/or anti-resonance within the audio band, a second-order digital filter suffices.

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ژورنال

عنوان ژورنال: The Musical Times and Singing Class Circular

سال: 1894

ISSN: 0958-8434

DOI: 10.2307/3362284